🔗 Share this article This Film Critique – Skeezy Cannibalistic Fright Targets Rich Kids on a Vessel Trip to Massacre Certain scary movies explore profound dreads, whereas some leverage scares to highlight societal concerns. Then there are those that focus solely to excite or generate chuckles. And then arrives absurd, brutal garbage like this: a shoestring imitation of man-eating murderer series The Hills Have Eyes, its lousy sequels and comparable titles. It also includes an actor who appeared in 1977 Hills’ film: the actress here plays a figure, a brash bartender who craves human meat. But Hills at the very least develop some sort of origin tale for the chaos; Martha and her skeezy companions’ tastes are just a given, as if encountering flesh-eaters is simply one potential danger of life on the water, similar to sharks or engine troubles. The Prey to the Slaughter The victims in this carnage are a quintet of predominantly stupid individuals in their 20s, who meet up for a good time on the vessel owned by wealthy Chad (Zachary Roosa). Passengers include this character’s constantly bikini-clad girlfriend a character (the actress), pal Franklin (this cast member), and a duo a role (Amy Byrd) and another (Caitlin Rose). Quantities of cocaine are used, copious amounts of drinks imbibed and makeouts initiated as teasers to the movie’s actual intention of entertainment: putting the youths at the mercy of the inked dock flesh-consumers, who lead them to land after the boat experiences engine failure on the water. A Pointless Exercise In the end, this is not even close to graphic like those movies in their most extreme, yet there is an element considerably more discouraging regarding The Boatyard’s meaninglessness, its failure to display humor, compassion, or fundamental directorial ability. The portrayals reaches such an precisely calibrated pitch of atrociousness that they are difficult to watch.